After stopping at Kamath Upachar near Maddur» for steaming hot idlis» , uddina vadas» , and masala dosa» , washed down with “double-strong kaapi» “, we set out towards our destination, taking a left after Maddur and heading towards Malavalli» . At Malavalli, we took a right (though a wrong one) to hit the road that heads to Poorigali, where we had to take a right at the “three-way junction” (as one of the villagers in Poorigali, who was trying to show off his knowledge of the English language, put it) to go towards Somanathpur. The road conditions were horrible to say the least, and my sympathies are with Iqbal’s Hyundai Santro and Rony who was driving at the time. But then, as a saving grace, we got to capture some village life and nature on our cameras. After all, as the cliche says, “No pain, no gain!”.
Pictures taken while on the road from Bangalore to Somanathpur
The Temple was truly an architect’s and sculptor’s delight, a feast for the eyes (though one had to slightly squint because of the blazing sun overhead), and a test of a photographer’s skills (with light conditions varying from the burnt on the outdoors to the extremely dark in the sanctum sanctorum). To cut a long story short, I did manage to get a few good shots (IMO» ).
Pictures of and inside the Chennakeshava Temple, Somanathpur
Gopal had earlier told me that the River Cauvery» flows right behind Somanathpur and I wanted to check it out. After a couple of enquiries at the local handicrafts shop, we headed out on the kuchcha road» , driving 2KM to reach the banks of the River. A calm and peaceful spot, it was a veritable paradise with birds all around, some skimming the surface of the water to hunt for fish and complete their afternoon meal. Also, there were a few kadhai» shaped huge vessels lying around the banks. We then discovered (as soon as one of the villagers started taking water out of the vessel) that they were used to collect sand from the river. A couple of hours and a few photographs later, we headed back to the car to take us back home, to Bangalore.
Pictures taken of the banks of River Cauvery at Somanathpur
About Somanathpur
The temple in Somanathpur is not as famous as the ones in Belur and Halebid , though they all are from the same period. Somanathpur is more representative of the age, since it did not suffer destruction as much as Belur and Halebid did and hence offers a more unbroken view of period’s architecture. Often it is referred to as the poor cousin of Belur and Halebid.
The Chennakeshava Temple, standing on a raised platform, adheres to the typical Hoysala style architecture where the temple is designed as a mini cosmos with scenes carved on the walls including Gods, Goddesses, dancing girls, musicians, gurus and all kinds of animals including elephants, lions, cows and monkeys. Its unique design and perfect symmetry are ignored amidst the farms and agricultural lands of surrounding villages.
The outer walls are decorated with a series of star-shaped folds. The three sanctum sanctorums once housed beautifully carved idols of Keshava» , Janardhana» and Venugopala» . Today, the idol of Lord Keshava is missing but the other two still adorn the sanctum sanctorums in their original form.
Nearest City: Mysore
Nearest Railhead: Mysore
Nearest Airport: Bangalore
Nearest Highway: Bangalore-Mysore highway
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The Kaveri River, also spelled Cauvery in English, is one of the major rivers of India, which is considered sacred by Hindus. The origin of the river is traditionally placed at Talakaveri, Kodagu district in the Western Ghats in the state of Karnataka. It flows south and east through Karnataka and Tamil Nadu and across the southern Deccan plateau through the southeastern lowlands, emptying into the Bay of Bengal through two principal mouths.
The Cauvery River basin is estimated to be 27,700 square miles (72,000 km2) with many tributaries including the Shimsha, the Hemavati River, the Arkavathy River, Honnuhole River, Lakshmana Tirtha River, Kabini River, Bhavani River, the Lokapavani River, the Noyyal River and the Amaravati River.
The Hoysala (pronunciation: hojsəɭə) Empire was a prominent South Indian Kannadiga empire that ruled most of the modern day state of Karnataka between the 10th and the 14th centuries. The capital of the Hoysalas was initially located at Belur but was later moved to Halebid.
The Hoysala era was an important period in the development of art, architecture, and religion in South India. The empire is remembered today primarily for its temple architecture. Over a hundred surviving temples are scattered across Karnataka, including the well known Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebid, and the Kesava Temple at Somanathpur. The Hoysala rulers also patronised the fine arts, encouraging literature to flourish in Kannada and Sanskrit.
Hoysala Kings:
- Nripa Kama II (1026–1047 CE)
- Hoysala Vinayaditya (1047–1098 CE)
- Ereyanga (1098–1102 CE)
- Veera Ballala I (1102–1108 CE)
- Vishnuvardhana (1108–1152 CE)
- Narasimha I (1152–1173 CE)
- Veera Ballala II (1173–1220 CE)
- Vira Narasimha II (1220–1235 CE)
- Vira Someshwara (1235–1254 CE)
- Narasimha III (1254–1291 CE)
- Veera Ballala III (1292–1343 CE)



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